Final Cut Pro 4/5
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299,99 €
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Final Cut Pro

Por Apple (Apple Inc.)
Dispositivos suportados : Mac OS

Notas de lançamento

14-02-2017 | Version : 10.3.2 | Size : 2,8 GB
• Ability to add custom folders of audio files to the Sound Effects browser
• Using ripple delete on audio-only clips no longer disables the selected range
• Audio meters retain custom width after relaunch
• Improves responsiveness when editing very long projects
• Improves performance when exporting H.264 files and changing frame rate
• Exporting ProRes 4444 files with transparency using Compressor creates a correct alpha channel
• Fixes an issue in which adjusting the line spacing of multi-line titles only applied to the first line
• Fixes an issue in which secondary storylines with mixed roles could overlap in the timeline
• Fixes an issue that could prevent burning Final Cut Pro projects to DVD via Apple USB SuperDrive

Introduced in Version 10.3
New Interface
• Redesigned dark interface puts the focus on your video
• Configure window layouts into custom workspaces for tasks like organizing and color grading
• Fill a second display with the timeline or hide the timeline completely
• Expand the Inspector to full-screen height

Magnetic Timeline 2
• Color coding of clips based on roles — such as dialogue, music, and effects — lets you understand your project at a glance
• Create, assign, and customize the colors of roles to identify different types of audio and video clips
• Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your timeline
• Focus button in the Timeline Index lets you highlight specific audio roles and collapse all others
• Show Audio Lanes button in the Timeline Index displays a structured timeline layout with dedicated spaces for each audio role
• Add audio effects and keyframe audio volume changes to an entire role within a Compound Clip
• iXML support enables automatic creation and assignment of roles based on metadata from an audio field recorder
• Create and manage a unique set of roles for each Final Cut Pro library

Wide Color
• Images are now viewable in wide color on supported Mac computers and external displays
• Import, edit, and deliver video in standard Rec. 601 and Rec. 709 color spaces, or in wide Rec. 2020 color space
• Configure color spaces for both libraries and projects
• Log footage from ARRI, Blackmagic Design, Canon, Panasonic, and Sony cameras, as well as RED RAW footage, can be manipulated in real time while preserving wider color
• Range check overlay in the viewer highlights areas out of the standard RGB range

Support for the Touch Bar on MacBook Pro
• Tap to execute common functions like volume control, fade in and out, and media import
• Easily access advanced editing commands, including Override Clip Connections, Trim to Start, and Trim to End
• View your entire project at a glance and navigate with touch in the timeline overview

More Video Formats
• MXF-wrapped Apple ProRes provides a flexible new format for broadcast delivery
• MXF master file export uses audio roles to configure industry-standard channel layouts
• Support for Canon Log2/Cinema Gamut and Panasonic V-Log
• Support for Sony XAVC-L at 4K for the Sony PXW-FS7 and PXW-X70 cameras
• Playback support for Panasonic AVC-Intra LT
• Export AVC-Intra files

Additional Features
• Flow transition seamlessly merges jump cuts to remove pauses or mistakes in on-camera interviews
• Remove Effects and Remove Attributes commands let you delete specific effects from clips
• SMB 3 network support enables library access on network-attached storage devices
• Timecode effect displays clip name and source clip timecode in the Viewer and in exported files
• Consolidate custom Motion projects into individual Final Cut Pro libraries
• Option for continuous playback of clips in the Browser
• Ability to roll trim on adjacent anchored clips
• Larger Media and Content browsers provide more space for viewing photo libraries, sound effects, music, titles, and generators
• Use a Mini DisplayPort or HDMI cable for direct AV output to an external display at standard video resolutions.

06-12-2016 | Version : 10.3.1 | Size : 2,8 GB
• Fixes an issue with cropped images in the Viewer when the Language & Region System Preference is set to Spanish
• Fixes issues with updating libraries
• Fixes an issue when using Paste Attributes to copy color correction between clips 

Introduced in Version 10.3
New Interface
• Redesigned dark interface puts the focus on your video
• Configure window layouts into custom workspaces for tasks like organizing and color grading
• Fill a second display with the timeline or hide the timeline completely
• Expand the Inspector to full-screen height

Magnetic Timeline 2
• Color coding of clips based on roles — such as dialogue, music, and effects — lets you understand your project at a glance
• Create, assign, and customize the colors of roles to identify different types of audio and video clips
• Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your timeline
• Focus button in the Timeline Index lets you highlight specific audio roles and collapse all others
• Show Audio Lanes button in the Timeline Index displays a structured timeline layout with dedicated spaces for each audio role
• Add audio effects and keyframe audio volume changes to an entire role within a Compound Clip
• iXML support enables automatic creation and assignment of roles based on metadata from an audio field recorder
• Create and manage a unique set of roles for each Final Cut Pro library

Wide Color
• Images are now viewable in wide color on supported Mac computers and external displays
• Import, edit, and deliver video in standard Rec. 601 and Rec. 709 color spaces, or in wide Rec. 2020 color space
• Configure color spaces for both libraries and projects
• Log footage from ARRI, Blackmagic Design, Canon, Panasonic, and Sony cameras, as well as RED RAW footage, can be manipulated in real time while preserving wider color
• Range check overlay in the viewer highlights areas out of the standard RGB range
• Video scopes display wide color in real time

Support for the Touch Bar on MacBook Pro
• Tap to execute common functions like volume control, fade in and out, and media import
• Easily access advanced editing commands, including Override Clip Connections, Trim to Start, and Trim to End
• View your entire project at a glance and navigate with touch in the timeline overview

More Video Formats
• MXF-wrapped Apple ProRes provides a flexible new format for broadcast delivery
• MXF master file export uses audio roles to configure industry-standard channel layouts
• Support for Canon Log2/Cinema Gamut and Panasonic V-Log
• Support for Sony XAVC-L at 4K for the Sony PXW-FS7 and PXW-X70 cameras
• Playback support for Panasonic AVC-Intra LT
• Export AVC-Intra files

Additional Features
• Flow transition seamlessly merges jump cuts to remove pauses or mistakes in on-camera interviews
• Remove Effects and Remove Attributes commands let you delete specific effects from clips
• SMB 3 network support enables library access on network-attached storage devices
• Timecode effect displays clip name and source clip timecode in the Viewer and in exported files
•Copy and paste timecode to speed up numerical entry from text documents
• Consolidate custom Motion projects into individual Final Cut Pro libraries
• Option for continuous playback of clips in the Browser
• Search custom metadata in the Browser and Timeline
• Search Timeline Index for Auditions, Compound Clips, Multicam Clips, and Synchronized Clips
• Ability to roll trim on adjacent anchored clips
• Larger Media and Content browsers provide more space for viewing photo libraries, sound effects, music, titles, and generators
• Skim and select ranges of audio files in the Music and Sound Effects browser
• Use a Thunderbolt cable for direct A/V output to an external display, without the need for a separate I/O device
• Enhanced XML support lets you import projects and clips into existing events
• Ability to drag and drop clips, projects, and events as XML with supported applications

28-02-2016 | Version : 10.2.3 | Size : 2,6 GB
• Customizable Default Effect lets you choose both a video and audio effect that is assigned to a keyboard shortcut
• 4K export preset to create video files for Apple devices
• Improves speed when opening libraries on a SAN
• Resolves an issue that could affect the timecode display in the Dashboard on OS X El Capitan
• Import Canon XF-AVC including video files from the Canon C300 Mark II 
• Ability to share video to multiple YouTube accounts
• Resolves an issue in which a disabled video effect could appear as Missing Effect when opening the project or when sharing to Compressor
• Addresses an issue in which black frames could appear in imported iPhone video clips that were trimmed on iPhone
• Fixes an issue that could cause the playhead to jump ahead when editing short titles
• Fixes an issue that could cause the timeline to stop playback when switching views in the Browser
• Fixes an issue in which points on a Bezier shape could incorrectly switch from Linear to Smooth
• Fixes an issue in which some objects within Motion templates render with soft edges
• Adds iPhone 6s, iPhone 6s Plus, iPad Pro, and Apple TV (4th generation) to the Apple Devices compatibility list in the Share window

Introduced in Version 10.2
Introducing 3D titles
• Beautifully animated and easily customizable 3D text
• Simple templates to get started quickly
• Cinematic templates with built-in backgrounds and animations
• Large collection of text styles to create stunning looks in one click
• Customize your titles with hundreds of combinations of materials, lighting, and edges
• Additional controls let you adjust environments, shadows, and more
• Instantly convert any 2D title to 3D
• Open any title in Motion to add multiple lights, cameras, and tracking

Advanced effects
• Display up to four video scopes simultaneously
• Apply super ellipse Shape mask to any clip
• Apply Draw mask to any clip, with options for linear, bezier, or B-spline smoothing
• New Shape and Color mask controls for every effect
• Instantly display the alpha channel for any effect mask
• Save custom effects as presets for quick access
• Color Board merged into the new Color Correction effect 
• Rearrange the processing order of Color Correction effect
• Improved keyframing with better motion smoothing
• Improved optical flow for beautiful slow motion on a wider range of content
• Better performance of FxPlug plug-ins and built-in effects that use multiple frames like Visual Echo and Trails

Camera formats
• Panasonic AVC-Ultra codec family
• Sony XAVC-S
• Import Sony XAVC and XDCAM formats without separate plug-in
• JVC H.264 Long GOP
• GPU-accelerated RED RAW processing with support for dual GPUs
• Support for RED RAW anamorphic formats

Additional features
• Smart Collections can be used at the event and library level
• Import window consolidates all options into single sidebar
• GPU rendering when using Send to Compressor with support for dual GPUs

Descrição

Redesigned from the ground up, Final Cut Pro combines revolutionary video editing with powerful media organization and incredible performance to let you create at the speed of thought.

Revolutionary Video Editing
• The Magnetic Timeline 2 with color coding and flexible lanes is faster and easier to use than traditional tracks
• Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your timeline
• Use Clip Connections to attach B-roll, sound effects, and music to the timeline
• Reduce clutter by grouping clips into a Compound Clip
• Cycle through different shots, graphics, or effects at one place in the timeline with Auditions
• Edit multicamera projects with automatic syncing based on audio waveforms and support for up to 64 camera angles

Powerful Media Organization
• Organize your work within libraries for efficient media management and collaboration
• Content Auto-Analysis captures camera metadata and analyzes shots in the background
• Create and apply custom keywords or favorites on the fly as you select clip ranges
• Smart Collections dynamically organize content for you to quickly find any shot in a few clicks

Incredible Performance
• Final Cut Pro uses all the GPUs in your Mac for superior real-time playback performance and fast background rendering
• 64-bit architecture uses all the RAM in your system for larger projects and richer effects
• Background processing lets you keep working without interruption
• Work natively with a broad range of formats including ProRes, RED, XAVC, AVCHD, H.264 from DSLRs, and more

Compelling, Customizable Effects
• Beautifully animated, easily customizable 2D and 3D titles
• Change the look of titles, transitions, and effects using intuitive controls
• Choose from an extensive ecosystem of third-party FxPlug plug-ins with custom interfaces

Integrated Audio Editing
• Assign roles — including dialogue, music, effects, and custom choices — during import to easily track and organize your project
• Expand and edit multichannel audio files directly in the timeline
• Let Final Cut Pro repair audio problems such as hum, excessive background noise, and more
• Sync DSLR video with separate audio in a single step with instant audio waveform matching

Intuitive Color Grading
• Import, edit, and deliver video in standard color spaces, or in wide Rec. 2020 color space
• Improve the look of any clip with one-click Balance Color
• Manipulate color, saturation, and exposure with the Color Board
• Fine tune a specific color or area of the screen using keying and masks

One-Step, Optimized Output
• Incredibly fast export for playback on Apple devices and upload to websites such as Vimeo, YouTube, and Facebook
• Use themed menus to author and burn a DVD or Blu-ray disc
• Export audio stems and multiple versions of a finished video using roles metadata
• Import and export XML for third-party workflows like color grading and sound mixing

System Requirements: OS X v10.11.4 or later, 4GB of RAM (8GB recommended for 4K editing and 3D titles), OpenCL-capable graphics card or Intel HD Graphics 3000 or later, 256MB of VRAM (1GB recommended for 4K and 3D titles), 4.15GB of disk space.

Some features require internet access; additional fees may apply. Blu-ray recorder required for burning Blu-ray discs.

Ranking

Global :
#1 : Apps mais lucrativas para Mac
#1 : Top de apps pagas para Mac

Categorias :
#1 : Apps mais lucrativas para Mac [Vídeo]
#1 : Top de apps pagas para Mac [Vídeo]

Imagens Mac OSX :

Imagens Mac OSX Imagens Mac OSX Imagens Mac OSX Imagens Mac OSX Imagens Mac OSX

Category

Fotografia , Vídeo


Comments and Ratings for Final Cut Pro

Final Cut Pro 10.2 (10.2)
19-04-2015 18:32:00 1/5 By MarciOliveira_PT
A ultima versão do Final Cut Pro que foi lançada em 13 de abril de 2015 pela versão 10.2 tem bugs graves pois não consigo trabalhar na aplicação porque mal entro aplicação encerra automáticamente, seja as vezes que faça para entrar não tendo forma de trabalhar. Submeti ja diversos e-mails junto da apple e da imunes e até agora tudo na mesma, programa pago e nada é resolvido.

Muito bom a meu ver (10.1.3)
18-10-2014 20:02:00 5/5 By Manuel Madureira
Tem vindo a evoluir de uma forma fantástica e gratuita, o que o torna muito poderoso em relação a concorrência. Acredito que a Apple o vai tornar o Rei dos programas de edição de video. Pessoalmente satisfaz-me bastante. A Apple agrada-me bastante, o suficiente para continuar fã.

Hmmmm (10.0)
30-08-2011 19:21:00 3/5 By anycast
- Crasha quando se colocam caracteres acentuados - Exporta os filmes com artefactos verdes quando se tem duas placas gráficas (tenho uma nVidia GT 120 e uma ATI 4870) - Se em vez de fazer o export se fizer o send to compressor, é LENTO a fazer o rendering (tenho um Mac Pro 8 core). Por outro lado acho o interface muito bom. É muito diferente das versões anteriores, mas se a Apple continuar a melhorá-lo vai ultrapassar em muito as versões anteriores.

Prometedor, embora ainda incompleto (10.0)
07-07-2011 17:46:00 4/5 By lichinho
A produtividade que se consegue com esta versão é muito maior. O programa é muito mais rápido. Algumas coisas funcionam de maneira diferente, mas, em geral, diferente para melhor. Já muito se falou do que ele não faz. Algumas limitações, como a incapacidade de importar projectos de versões anteriores, ou a falta de multicam, são significativas. Outras são coisas que o programa faz, mas de maneira diferente. Não é verdade que seja difícil levar um projecto de um computador para outro. De facto, é mesmo trivial. Se trabalhar num projecto num disco externo e depois ligar esse disco a outro computador, ele aparece integralmente no Final Cut, pronto a continuar o trabalho, sem mais nada a configurar ou copiar. Melhor é difícil. A organização dos conteúdos, com o uso de keywords e eventos, é um dos pontos fortes. Só não merece as 5 estrelas por causa do que ainda falta; se se chamasse "Final Cut Express X" teria as 5 estrelas sem dúvida.

Metodo de trabalho forçado (10.0)
24-06-2011 18:44:00 1/5 By Joao Tocha
Uma das grandes mais valias e que no meu entender fez parte do ADN do FCP nas versões anteriores foi o permitir utilizar multiplas abordagens e metodos de trabalho. Aqui ao trabalhar neste Final Cut X sinto que estou a ser forçado a trabalhar de uma maneira específica, como se tivesse alguem a dizer-me: - Tens de trabalhar assim! Fazer um video é desta maneira que se faz. Ao nível a que estou habituado a trabalhar esta é uma seria limitação. Outras limitações importantes e que fazem o Final Cut X neste momento ser um Downgrade são: - Gestão de projectos é dificil mover um projecto entre computadores - 1 sequencia por projecto. - Não abrir projectos de versões anteriores. - Não exportar nem importar EDL's e XML's - Não poder trancar pistas de video e de audio Esta versão do final cut perde imenso em termos de flexibilidade e de capacidades para a versão anterior. As vantagens de momento não superam as desvantagens. E o caminho que este Final Cut X aponta... não me deixa muito satisfeito... A ver... mas sem grandes esperanças. João Tocha - 2011/06/24


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